| Fiore de Virtu | |
| a ballo for four | |
| Source: AW Smith (PBN), reconstructed by Dafydd Cyhoeddwr | |
| Music: Alta Danza (2 measures intro) | |
| Starting position: side by side (MWMW) | |
| Section 1: | |
| 1-4 | 4 doppi (left, right, left, right); at the end, the men mezavolta to face their partner |
| 5-8 | The men take the women by the right hand and circle with 4 pive, left, right, left, right |
| at the end, the men should be facing down (reverse the direction they started the dance), women facing up | |
| 9&10 | Do 2 saltarelli, left and right, away from each other; mezavolta at the end to face each other |
| 11&12 | 2 riprese, left and right |
| 13 | 2 continentie, left and right |
| Section 2: | |
| 14-17 | Approach and pass (men between the women) with 4 saltarelli, left, right, left, right; mezavolta to face |
| 18 | Riverentia, left |
| 19-21 | Approach with 3 riprese portogallesi (flanking), left, right, left, so that everyone ends up in their original places |
| 22&23 | Everyone volta del gioioso (2 sempi, right and left, and a ripresa right) |
| 24 | Riverentia, left; all face your partner at the end |
| Section 3: | |
| 25-28 | The men take their partner by the right hand and circle with 4 pive, left, right, left, right |
| at the end (possibly using that last piva), the men switch to the other woman | |
| 29-32 | The men circle with the other woman with 4 pive, left, right, left, right |
| at the end (as above), the men switch back to their partner | |
| 33-36 | The men circle with their partner with 4 pive, left, right, left, right; end up facing up and down in a line |
| Section 4: | |
| 37 | The men perform a scosso, the women respond |
| 38 | All draw back with a doppio, right |
| 39 | All do a voltatonda with a doppio, left, turning back together to line up, all facing opposite from the start |
| Alta Danza repeats (though the instructions do not specify this, and as such, don't say whether the women | |
| should take the lead) | |